front cover of Flickers of Desire
Flickers of Desire
Movie Stars of the 1910s
Bean, Jennifer M
Rutgers University Press, 2011
Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards, scrapbooks, personal letters, limericks, and dances. The iconic status of Charlie Chaplin's little tramp, Mary Pickford's golden curls, Pearl White's daring stunts, or Sessue Hayakawa's expressionless mask reflect the wild diversity of a public's desired ideals, while Theda Bara's seductive turn as the embodiment of feminine evil, George Beban's performance as a sympathetic Italian immigrant, or G. M. Anderson's creation of the heroic cowboy/outlaw character transformed the fantasies that shaped American filmmaking and its vital role in society.
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front cover of Ghostly Fragments
Ghostly Fragments
Essays on Shakespeare and Performance
Barbara C. Hodgdon
University of Michigan Press, 2021

Ghostly Fragments gathers the essays of the late Barbara C. Hodgdon, a renowned scholar of Shakespeare and performance studies. Her influential publications over thirty years reflected a remarkable intelligence, wit, and originality, as did her lectures and conference papers. Richard Abel and Peter Holland have selected essays that represent the wide sweep of Hodgdon’s scholarship, including unpublished pieces and those from hard-to-access sources. The essays reveal a thinker and writer who grows more self-reflective over time, with a distinctive, engaging, often wryly humorous voice that is accessible even to nonspecialist readers.
 
Following a general introduction by Peter Holland, the book’s five subsections (Teaching Shakespeare, Analyzing Stage Performances, Editing Shakespeare Texts, Analyzing Shakespeare Films, and “Shopping” in the Archives) are introduced in turn by scholars Miriam Gilbert, W.B. Worthen, Margaret Jane Kidnie, Richard Abel, and Pascale Aebischer. Collectively, the pieces confirm the originality and élan of Hodgdon’s thinking and writing over time, and reveal her as a natural essayist and stylist, with a distinctive engaging voice. The collection is unique in not only bringing together so much of Hodgdon's work in one place (with an extensive bibliography of her published work) but also in demonstrating how groundbreaking and influential that work has been in the field.

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Movie Mavens
US Newspaper Women Take On the Movies, 1914-1923
Edited by Richard Abel
University of Illinois Press, 2021
During the early era of cinema, moviegoers turned to women editors and writers for the latest on everyone's favorite stars, films, and filmmakers. Richard Abel returns these women to film history with an anthology of reviews, articles, and other works. Drawn from newspapers of the time, the selections show how columnists like Kitty Kelly, Mae Tinee, Louella Parsons, and Genevieve Harris wrote directly to female readers. They also profiled women working in jobs like scenario writer and film editor and noted the industry's willingness to hire women. Sharp wit and frank opinions entertained and informed a wide readership hungry for news about the movies but also about women on both sides of the camera. Abel supplements the texts with hard-to-find biographical information and provides context on the newspapers and silent-era movie industry as well as on the professionals and films highlighted by these writers. 

An invaluable collection of rare archival sources, Movie Mavens reveals women's essential contribution to the creation of American film culture.

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front cover of Speaking Respect, Respecting Speech
Speaking Respect, Respecting Speech
Richard L. Abel
University of Chicago Press, 1998
The feminist campaign against pornography, the furor over a racial epithet in the O. J. Simpson trial, and Iran's continuing threat to kill Salman Rushdie exemplify the intense passions aroused by hurtful speech. Richard Abel offers an original framework for understanding and attempting to resolve these pervasive and intractable conflicts. Drawing on sociological theories of symbolic politics, he views such confrontations as struggles for respect among status categories defined by nationality, religion, race, gender, sexual orientation, and physical difference. Abel convincingly exposes the inadequacies of the conventional responses to speech: absolutist civil libertarianism and enthusiastic state regulation. Instead, he argues, only apologies exchanged within the communities that construct collective identities can readjust social standing damaged by hurtful words and images. In recasting the problem in terms of equalizing cultural capital, Abel opens a new pathway through the wrongs and rights of speech.

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